The architect has added Moroccan craftsmanship to this work on shadow and light, commissioning orangey-ochre benches and curtains directly from Morocco.
He brought back this splendid Berber carpet from the souks of Meknes, to provide a warm welcome at the entrance to the hammam.
He had the walls covered according to the traditional tadelakt technique, which uses a trowel.
He symbolised the legendary Oriental eye by installing especially-made moucharabies.
Wrought iron is also a key feature, particularly on the handrail at the entrance, whose graceful arabesques are repeated in the vestibule tables.